Get full resolution image exports, save unlimited 3D LUTs and create your own cloud-based look library. Upgrade to Color.io Pro for complete access to the world's most powerful look creator and film emulation engine and get everything you need for the best color you've ever created.
Upgrade to Pro and get unlimited access to everything and free updates on all devices. See what you get.
Join over 150.000 photographers, filmmakers and colorists at all skill levels who craft their cinematic vision of color with Color.io - the most widely adapted film emulation engine and color grading tool across various industries. See what they have to say.
Color.io Pro enables access to the full range of tools and export capabilities that the app offers, without any hidden fees or upsells - there is no other, ultimate version and no mega bundle deal. There's just Color.io Pro and it unlocks every feature that is currently available in the app, plus every feature that will be added in the future, for as long as you use it. The lifetime license also includes all updates, forever - yes, that includes major version updates.
As a Pro user, you get access to every feature and capability available in Color.io today, plus any additional features, presets and functionality that will be released in the future at no additional cost. You get these free updates automatically for as long as you keep using the app. When you purchase the lifetime license you get free updates forever.
To get an idea of what updates have looked like in the past, check out the changelog and follow Color.io on Instagram.
Buying a lifetime license is a one-time purchase, with no recurring subscription. When you purchase a lifetime license, you get access to everything in the Color.io app forever, including all future updates. Yes, that even includes major version updates.
Color.io is a progressive web application (PWA). It runs in the browser but can also be installed as a fullscreen app on your desktop or home screen. Check out the user guide to learn how to install Color.io as an app on your device.
Yes, subscriptions can be cancelled at any time, directly from your account.
When you cancel a subscription, you will be able to continue using the product until the end of your billing period. After that, access to the pro features will be turned off and you will not be charged again. You can manage your subscription directly from your Color.io Account.
Nope. Active subscriptions will never change price. Even if Color.io becomes more expensive down the line for new users, your active subscription won't be affected by this. It's even possible to pause your subscription and resume it for the price you initially signed up for (Go to Account › Orders › Manage)
Subscriptions are here for flexibility and a low barrier of entry, not to suck you dry.
Pinky swear.
The point of saving presets in the cloud is to make them available across all of your devices, never to lock you in to a subscription when you currently don't need or simply can't afford it.
This is why a backup copy of your custom presets will be stored for 3 years after you pause or cancel your subscription. As soon as you reactivate your Pro Plan, all of your custom presets and other Pro Features will become available again.
On all of your devices.
A single Color.io Pro license can be used by a single user on up to 4 devices at the same time. When you go beyond your device limit, you can simply sign out of another device to unlock access. You can remotely manage your device sessions in your browser from your Color.io Account.
Yes, for teams of 5 and more users, please reach out for a custom quote
Absolutely!
Your license gives you permission to build as many of your own LUTs and DCTLs as you like. You can use anything you create with Color.io for personal and professional projects, whether you're just spicing up your personal images or grading the next blockbuster - your license covers it all. As long as what you’re building isn’t an application or other tool that customers can use to create their own looks using elements that originate from Color.io, you’re good to go!
For sales related questions send an email to sales@color.io
For technical questions, feature suggestions and bug reports get in touch directly from the app's built in feedback board. Additionally you can find the complete user guide here.
"The look I've been trying to get for years."
Color.io empowers photographers, filmmakers, colorists and artists at all skill levels to craft their unique vision of color - From really small to really big screens. Here's what some of them have said about Color.io:
Aaron Kessler
Filmmaker
"After trying it out for a few short hours I knew Color.io was the tool I always wanted - it's the look that I've been trying to get for years."
Cameron Rad
Photographer
"The tools and visualizations in Color.io are so unique and great to mess with. Definitely some of the best color tools out there!"
Philip Vivarelli
Cinematographer
"I’m blown away that these tools are missing in Davinci Resolve. Definitely recommending Color.io to my colorist friends!"
Steve Tanaka
Director of Photography
"Color.io is actually pretty insane. Saturation just stays super clean even when I push much further than I would with other tools. Wow!"
Jenny Alvarez
Designer / Photographer
"Just tried Color.io and well, I love it. There's a depth to the colors that I haven't been able to get out of other tools. Thank you!"
Daniel Lichten
Content Creator
"I now use 3 instead of 16 nodes in Resolve and the results are honestly so much better. I'm converting all my LUTs to the new engine for HDR work."
Chris T. Beck
Senior Colorist
"Just completely re-built my film LUTs for HDR with Color.io, including really complex ones and the color engine captures them perfectly."
Jay Kipling
Filmmaker / D.O.P.
"Probably the best grain and halation sim I've seen and color is top notch. Def my new secret weapon for show looks and custom finishing LUTs!"
Ben Jameson
National Geographic
"As a landscape and wildlife photographer, natural color rendition is paramount. Color.io is the next best thing to shooting actual film."